Joaquin Turina: Garrotin and Soleares op.69 Hommage à Tarrega (1932) Julian Bream, guitar

Joaquin Turina (1882‎–‎1949) Garrotin and Soleares op.69 "Hommage à Tarrega" (1932) 0:00 1. Garrotin (Allegretto) 0:25 Cantando 0:41 Con sentimento popular 1:03 Allegretto 1:32 Cantando 2:10 2. Soleares (Allegro vivo) 2:29 Espressivo 2:53 Allegro vivo 3:08 Espressivo 3:28 Espressivo Guitar: Julian Bream RCA 1983 Joaquin Turina and the guitar. http://www.rafaelandia.com/en/turinaartic.html The influence of Flamenco on the guitar works of Joaquin Turina http://www.laguitarra-blog.com/wp-content/uploads/2012/04/The-influence-of-Flamenco-on-the-guitar-works-of-Joaquin-Turina..pdf ************************ Although Turina did not write Flamenco, his impressionistic compositional style is permeated by it. he tries to evoke the spirit and atmosphere of the Andalucian lifestyle by using familiar flamenco dance rhythms, harmonies, melodic cadences, flamenco guitar strumming, and sound effects such as church bells. Some of Turina's guitar pieces are based on actual flamenco forms. In the Homenaje a Tarrega, the "Garrotin" gets its playful 2/4 rhythm and melodic simplicity 40 from a charming and coquettish flamenco dance by that name. It is usually danced by women who wear men's hats--the flat-brimmed sombrero cordobes and trajes camperos--stylish costumes for riding horses in the country. Simple melody in "Garrotin" punctuated by a rhythmic chord motive.

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